I-70 Review
Writing and Art from the Middle and Beyond


Gary Fincke
Gary Fincke's latest book is Bringing Back the Bones: New and Selected Poems (2015, Stephen F. Austin University Press).· An earlier collection The History of Permanence won the Stephen F. Austin Poetry prize and was published in 2011.· He also publishes fiction and nonfiction, most recently A Room of Rain (short stories, West Virginia University, 2015) and How Blasphemy Sounds to God (novel, 2014, Braddock Avenue Books).· He is the Charles Degenstein Professor of Creative Writing at Susquehanna University.
Fraternity Brothers, 1970
Two years, Rich Cook had lived across the hall,
Giving me rides in his damaged car
Where we breathed the stink left behind
By a creek that flash-flooded hood high,
But this summer Cook was a soldier
In the Ohio Guard, and I was reading
The Victorians and Faulkner's novels
At Kent State where classes had resumed.
Since my second beer, I'd been posturing
As a near-miss survivor, and now Cook
Was drunk and angry and ready,
He said, to shoot me if history
Repeated itself. He carried
A pistol in that flooded Ford
I could see through the screen door
Where white moths were frantic to enter,
And he wondered out loud if I'd piss myself
If he decided to show-and-tell me
Just how cowardly I could be up close
With him and brother Bowers just back
From two tours and a pair of Purple Hearts,
Somebody who had survived
Hamburger Hill and nameless night patrols.
Cook asked if I was a Communist now
Or just some big-mouth asshole drinking
Beer with someone who was worth a shit,
And I was ready to renounce my years
Of second-hand graduate essays,
All of those sweet-sounding platitudes
Seeming as simple as pre-meal prayers
While I was composing apologies
And expecting both brothers to lay
A combat-tested beating upon me.
I could say the overhead kitchen light beamed
A Saint Paul moment of self-knowledge
And conversion, but what it did was
Flicker once when the refrigerator
Hummed into life just before Bowers
Said “Fuck the Guard” so matter-of-factly
I heard the period drop into place,
Ambushing one argument, at least,
In Youngstown where May was fishtailing
Into June, the three of us positioned
As if we still occupied our late-Sixties rooms,
A telephone hanging outside Cook's door,
The black receiver he had twice torn loose
Before sweeping into my room
After two a.m., both times silhouetted
Against the light, spitting, “It's for you.”
Appeared in Beloit Poetry Journal and
Bringing Back the Bones: New and Selected Poems
After the Aberfan Disaster
On Oct. 21, 1966, in Wales, an 800 foot high “tip”
of rock, coal, mud, and shale collapsed, crushing
an elementary school, killing 116 children and 5
teachers.
In this story, the assembled children
Have just sung “All Things Bright and Beautiful.”
In this story, a survivor recalls
“In that silence you couldn't hear a bird,”
The slag thirty feet deep, a certainty.
In this story, the crushed children are called
By their parents. In this story, so few
Of them answer they become miracles,
The kind where ten lepers are cleansed, leaving
A colony of others to fester.
In this story, the children are smothered
By indifference, the company's and mine,
Because I am cowering from the draft,
Only college between me and combat.
That afternoon, I drive my father's car
One hundred miles per hour on a road
With a dozen intersections, and slow,
Trembling, into the sudden afterward
Of my brief, self-made miracle, thinking
What else proves I belong to the future?
Those children and their teachers are as dead
As two friends killed in cars. Some minister,
Days later, repeats, “In all things, design”
In a sermon I overhear, sounding
As if he's casting a blessing on rape.
A half mile from that service are slag heaps
High enough to take the light an hour
Early each evening. This story has me
Cautiously climbing each one with a friend
Soon to be blown apart in Vietnam.
Could there have been an alternate story
To the one I was breathing behind him?
So safely enrolled, who had I become
But a patient with purchased remission,
Reading about loss in expensive rooms?
Appeared in The Gettysburg Review and
in the collection The History of Permanence
(Stephen F. Austin University Press)
The Sorrows
Whatever the Sunday, the sorrows kept the women
in the kitchen,
My cousins and their mothers, my grandmother, her sister,
all of them
Foraging through the nerves for pain. They sighed and rustled
and one would
Name her sorrows to cue sympathy's murmurs, the first
offerings
Of possible cures: three eggs for chills and fever,
the benefits
Of mint and pepper, boneset, sage, and crocus tea.
Nothing they
Needed came over-the-counter or through prescriptions
not bearing
A promise from God, who blessed the home remedies
handed down
From the lost villages of Germany for the aunt
with dizzy spells,
For the uncle with the steady pain of private swelling;
for passed blood,
For discharge and the sweet streak from the shoulder.
In the pantry,
Among pickled beets and stewed tomatoes--the dark,
honeyed liquids;
The vinegar and molasses sipped from tablespoons
for sorrows
So regular they spoke of them as laundry to be smoothed
by the great iron
Of faith which set creases worthy of paradise. And there,
when only
A hum came clear, they might have been speaking from clouds
like the dead,
But what mattered when the room went dark was the voices
reaching into
The lamp-lit living room of men who listened then, watching
the doorway
And nodding at the nostrums offered by the tongues
of the unseen
As if the sorrows were soothed by the lost dialect
of the soul
Which whispered to the enormous ache of the imminent.
Appeared in Southern Poetry Review and the collection
The Fire Landscape (University of Arkansas Press)
Selflessness
In the animal kingdom, among fish,
one father carries all of the laid eggs
in his mouth, sixty-five day starvation
to make that flexible, deep mouth a womb.
Such sacrifice, spitting them out at last,
following that fast with the daily chores
of parenting: to guard them while they feed,
to take them back into his mouth like God.
Those babies need to grow before something
hungry finds them. They need a place to sleep
safe enough to wake again to feeding,
watched carefully by their selfless father.
He's a living prayer, that catfish who knows
each child as he opens his mouth for them.
Though every father has limits, and so
does this one, turning his back, one morning,
as they feed, swimming away while he still
knows them, before his children grow so large
he can't tell them from what he hungers for.
If he forgets to flee, he will eat them.
Appeared in Virginia Quarterly Review and
the collection The History of Permanence
(Stephen F. Austin University Press)
A Citizenry of Birds
Tarantulas leave behind footprints of silk—Harper's
My neighbor, shortly after sunrise,
Says he loves to hear English
In the morning from his backyard birds.
They're citizens, he tells me, born here,
So many generations
With us, their accents have disappeared.
His mouth flexes. The pink horizon
Has nearly vanished. We are
Surrounded by the bright eggs of May.
My nod, meant to be neutral, narrows
The distance to empathy.
Only our lawns show the paths of shoes.
Suddenly, along our street, houses
Are raising flags, becoming
The embassies of allied countries.
When a siren opens full-throated
On the nearby county road,
I try to translate its accident.
Squalled from his architecture of leaves,
Vowels seem a needle's cry
Seeking a sample of suspect blood.
Some of the letters cannot be sung;
His lawn displays the sparkling,
Bent admission to his blue-rimmed door.